![]() It’s one of the many contradictions which help make Perry such an interesting filmmaker: the critical darling who stills needs to ask friends-of-friends to use their apartments as shooting locations, the unsentimental chronicler of millennial narcissism who also wrote the screenplay for Christopher Robin, the baldly independent director who stans for Avengers: Endgame at the Oscars. They’re hilariously, laugh-out-loud funny, their comedic observations as well-drawn as the emotional stings. Breakthrough black comedy Listen Up Philip takes place in a similar intellectual Manhattan milieu as the films of Whit Stillman and Noah Baumbach psychological drama Queen of Earth shares an acidic emotional pitch and formal qualities with John Cassavettes’s best relationship pictures every feature he’s made to date dances between the alternately charming and repugnant amorality and venality reminiscent of Rainer Werner Fassbinder.ĭespite the often deplorable actions of his characters and the routinely bleak situations they become mired in, Perry’s films are not joyless slogs. ![]() His past life as an omnivorous video store clerk has lead to a diverse web of influences that inform his work. There isn’t necessarily a causal link between these two phenomena, but Perry’s work does feature a lot of bastards. ![]() Arguments over whether or not the main character in a movie has to be “likable” come about nearly as often as the prodigiously prolific writer/director/sometime actor Alex Ross Perry puts out a new film. ![]()
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